Great American Books

This is the official blog for the students of Monica Osborne's Great American Books course at Purdue University.

Wednesday, October 18, 2006

Morrison: Love


In Chapter 2 ("Friend"), we get, among other things, a depiction of Christine and Heed at Bill Cosey's funeral. "Hate," writes Morrison, "does that. Burns off everything but itself, so whatever your grievance is, your face looks just like your enemy's" (34). In a book titled Love, it's a curious description.

I'm going to leave this open. With this quotation in mind, I would like you to comment on what you've read so far. Be sure to use specific examples from the novel in your responses.

Please post your response no later than Saturday, October 21, 8pm.

Wednesday, October 04, 2006

Faulkner: The Sound and the Fury


Like many of Faulkner's characters, Quentin Compson (male) is a complicated character. In a novel dominated by the memory as opposed to chronology, Quentin's section -- dated June 2, 1910, the day he drowned himself at the end of his first year at Harvard -- arguably emerges as the section most preoccupied with these themes. Why does Faulkner choose to have Quentin narrate his own section, even though he has been dead for nearly eighteen years? What do you make of his dual obsession with his sister's virginity and the loss of the family honor? Why does he attempt to make, in a crucial conversation with his father, a false confession of incest? Considering Quentin's own state of mind at the time, what do you think of Mr. Compson's response? And, finally, what are the reasons for Quentin's decision to drown himself?

Obviously you can't answer all of these questions in your response, so just pick some of them and try to comment critically and insightfully. Also be sure to read your peers' responses before posting your own -- try to say things that haven't already been said, and comment on what has been said.

Please post no later than Thursday, October 5, 4pm.